Really fragmented, cramped, it's lost cohesion and simplicity. I doubt the UX team read this so I'll say honestly. Did Uli Behringer spec this build !!Īlso the Ableton Live 11 GUI is looking terrible. I understand that MPE and comping were big additions, the new effects are nice enough but. That just delivers bland middle of the road results. They try to copy Apple's old walled garden aproach but they really lack that "vision thing" which they had in the early days.Īs weird as it sounds: I think its a terrible idea to create feature additions from a "most upvoted" list on centercode. The lacklustre launch of L11 really didn't grab me. They seem bereft of energy and inspiration. I think Ableton has run down a creative dead end. I'm sort of looking around for my way out though. And my Laptop is kept on the most stable version. My desktop is a Win7 machine and I spent a month trying to upgrade it to Win10 and failed for the whole month of December - so I've not even installed L11 on my desktop. I've got Live 11 but not used it due to various issues, I'm still on L10 which is mature and stable enough. You will long miss some of your favourite devices (and I needed to buy some alternatives) but in return you might find a workflow that more than compensates for that. It's been fare more stable than Ableton for me). In short I would say give I another try (assuming you can get It crash free. So after missing a lot of Ableton in the transition process, I learned to embrace the new paradigms and now produce faster than ever before. With the geeky nature of Bitwig with it's grid and modulators II wasn't expecting such a robust sampler. And was pleasantly surprised how good that workflow was. And I recently created many complex dynamic multi sampled instruments I would normally only create in logic (because it was far to tedious to do in Ableton). The V4 update shows their intention: To add and refine the more basic functions like comping but to still come up with innovative ideas like the operators and import third party projects. But the simple fact that in Bitwig I can work with a big template in which I can completely disable and hide tracks and groups at will is huge for me. There are still things missing in Bitwig like narrow track width, flexible track height and some of Ableton's excellent factory devices, better automation drawing and unique M4L devices, and Ableton is refined in many areas that shows the difference between a V11 vs V4. I used to miss freezing, or Ableton's drum rack flexibility but once you really get to know Bitwig if often realise their solutions are just that little smarter and easier to use eventually. But it's mostly these workflow features that make all the difference. I don't care for the Grid or actually many of the new 4.0 features besides comping. Cthulhu or any other midi vst's), bouncing, disable (and hide!) tracks, mixer tab, combined clip/arranger, logic style track view and device list in the mixer and the modulator flexibility are the main reasons. The key commands, superior browser, multi projects (drag and drop anything between projects), hybrid tracks (so much simpler to work with e.g. But there are a few things that make me work so much faster in Bitwig. It's great, don't get me wrong, and Bitwig is definitely not without its flaws. Maybe not even that because Bitwig will be able to import live projects.įor a while I switched back and forth, but lately I can't bare to work in Ableton anymore. I even recently still purchase live 11 but am sorry to say I havent used it more than a few days and will keep it around only for collabs. It took me over a year to make the switch because I too was heavily invested in Ableton. I fully switched about a year ago (recreating many multi samples, device chains and templates (lots of hardware) I made for ableton, finding alternatives for all my devices and my custom device-chains and re adjusting all these years of Ableton muscle memory) after 15 years of live.
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